L.A. Times - Entertainment News |
- 'The Official Michael Jackson OPUS' offers plenty new
- 'Biggest Loser': There are three winners in the house, and a question is popped
- Disney CEO Bob Iger indirectly addresses speculation about game industry acquistions
- You are not prepared for 'Jersey Shore'
- ShowTracker lists 'Glee' highlights
- Zach Gilford says goodbye to 'Friday Night Lights' -- for now
- 69 foreign films enter Golden Globes derby
- 'Spectacle: Elvis Costello With ...' welcomes Bono and the Edge
- On the trail of the cinematic Sherlock Holmes
- 'Public Enemies'
'The Official Michael Jackson OPUS' offers plenty new Posted: 09 Dec 2009 12:00 AM PST |
'Biggest Loser': There are three winners in the house, and a question is popped Posted: 08 Dec 2009 09:18 PM PST |
Disney CEO Bob Iger indirectly addresses speculation about game industry acquistions Posted: 09 Dec 2009 08:34 AM PST |
You are not prepared for 'Jersey Shore' Posted: 08 Dec 2009 07:16 PM PST |
ShowTracker lists 'Glee' highlights Posted: 09 Dec 2009 08:17 AM PST |
Zach Gilford says goodbye to 'Friday Night Lights' -- for now Posted: 09 Dec 2009 08:44 AM PST |
69 foreign films enter Golden Globes derby Posted: 09 Dec 2009 08:55 AM PST |
'Spectacle: Elvis Costello With ...' welcomes Bono and the Edge Posted: 09 Dec 2009 12:00 AM PST The Sundance Channel's interview-performance series gets out of the gate fast in its second-season opener. Upping the ante on any TV show that got off to as auspicious a start as the first season of the Sundance Channel's music interview-performance series " Spectacle: Elvis Costello With…” is a tall order. |
On the trail of the cinematic Sherlock Holmes Posted: 09 Dec 2009 12:00 AM PST |
Posted: 09 Dec 2009 12:00 AM PST The visually cutting-edge movie paints a minimalist picture of the bank robber's life and the FBI man who sought him. It takes a lot to jolt a 21st century moviegoer into a new way of seeing -- which is reason enough to applaud Michael Mann's strange, imperfect "Public Enemies," a period piece disorientingly told in the cinematic present tense. |
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